Friday: Imagery Exercise—Character, as Seen in the Face

Imagery Friday is about keeping our writing hands limber, so we leave our readers with vivid, unique, and very telling images.  For me, strong images are a beacon of great writing. We’ve all read them: a phrase, a brief passage, even a paragraph that catches our imagination and moves us there, wherever the writer’s “there” happens to be. It can be in the past; it can be present day; it can be futuristic; it can be a world of figment and fantasy.

And it doesn’t need to be a scavenger hunt through the thesaurus. Notice in the passages below how the vocabulary is very simple.

If you’ve been here before for our Imagery Friday, welcome back!  If this is your first time, you might want to read the first post of this series (this link opens in a new window or tab, so you can easily return here), to gain a perspective on imagery and detail.

Let me share a few favorite passages with you, before we work on today’s exercise. (I’ll be asking you soon for your favorite passages.)

“But the trouble was there already in the room. It settled over me in a formless way, like fog; no colour, neither dark nor light, no smell, no sound; just a clenching tension of pain and the fear of death…the sheet scraped under my nails.” Mary Stewart, Touch Not the Cat.

“…furred and shifting shadows…” Mary Stewart, Touch Not the Cat

“…when it moved, it cut the air with a brittle sound. It reminded me of the quiet that settles on the coldest days in winter when it hurts to breathe and everything is still.” Patrick Rothfuss, Name of the Wind.

“His voice was old and tired around the edges, but at its center it was patient.” Patrick Rothfuss, Name of the Wind.

and one more:

“…the question that is at the back of your throat, choking the blood to your brain, ringing in your ears over and over as you put it to yourself…”  The voice of Death, in Meet Joe Black.

Obviously, great passages are not limited to books.  I shall never forget the final lines of An Unfinished Life, where Morgan Freeman’s character says:

“I got so high, Einar, I could see where the blue turns to black. From up there, you could see all there is. And it looked like there was a reason for everything.”

Beautiful lines, yes? I’ve always wanted to write a short story with the title, “Where The Blue Turns to Black.” One of these days, maybe…

Today’s exercise centers on the face of an old person. I’ve chosen two photos—one man, one woman—and you may choose your image to describe.

When describing faces, the trick isn’t to show the lines, but what the lines MEAN.

Sit with your choice of photo for a while, and let the feeling of it settle into your heart. It’s not just about what you SEE, but how does it make you feel? What memories, pleasant or otherwise, does it bring to your mind that you feel are important to share with your readers?

 

 

 

And the second face:

 

Note: Click on the face you wish to view, and the full-sized image will appear in a new tab or window.

Copy your description to the comments section of this post. Be sure that it’s obvious that you’re describing the man or the woman! I’m looking forward to seeing what you have done with these very different faces!

(To get a list of all the imagery exercises, click HERE.)

Write in JOY!

McKenna